A jangly guitar loop serves as the core in the production of this new OX4ORD track. The dreamy ambience is the perfect backdrop for the rapper’s smooth delivery, which is understated, but captures your attention. The result is a truly laid-back bop.

‘THE WAY BACK’ is the shot of vibrance you need today. A soulful sample loops through, which Zion Garcia approaches effortlessly, weaving his reminiscent bars into the gleeful ambiance. The track is a celebration of how far his come and what he’s learned in the process, packaged into some poignant, ear-catching raps. It’s the opener for his new EP ZION GARCIA: (THEATRICAL VERSION), which you can stream now.

This new PinkPantheress cut is dreamy. Layers upon layers of synths fill the instrumental, creating a euphoric ambiance. Her voice is subtle yet sleek as she sings about the happenings of romance. UK garage-esque drum patterns loop in the low end, making the song a serenade with some swing. It’s set to appear on her upcoming album Heaven Knows, which drops in November.

Big Skeez’s ‘Hello’ is an airy dose of amapiano. It pairs the dance-inducing drum patterns of the genre with a series of reverb-drenched synths. Skeez’s woozy melodies guide you through the atmosphere, giving the song a hypnotic feel. This track is set to appear on his upcoming mixtape Work Don’t Stop, dropping November 10th.

Lord Apex and Freddie Gibbs hit a tag-team champion level on ‘Phoenix’. Argov’s production is a simple soul loop, leaving plenty of room for both rappers to revel in. Their verses are jam-packed with reflections and witty wordplay, leveling up with every line. It’s a chill song, with fiery rap frenzies.

DAY1’s ‘SOUTHSIDE DILLA’ is a club-ready rap anthem. The track explodes with massive bass while rattling percussion creates a catchy tempo. DAY1 combines stern raps and autotuned melodies, showcasing his seemingly limitless versatility.

Fred again… continues to solidify himself as a master of mood on this new song ‘ten’. The track is lo-fi, with muffled, wonky synths sounding as if they’re drifting through fog. Jozzy’s warbles serve as a beacon of light throughout, blasting through the mix with her passionate voice.

‘That Aint Pat’ is classic Wiki. For 3 minutes, he lets off slick bars, reflecting on the trials, tribulations, and learning of the grind. The rasp in his voice thrives atop Tony Seltzer’s production, which pairs DIpset-esque soul samples with some head-bop-inducing drums. It’s straightforward and satisfying.

This new Plea Unit song is massive. Endless Prowl’s production is expansive, with glitchy percussion, eerie synths, and mortars of distorted 808s creating a dystopian atmosphere. Bayang and Lil Ket are on vocal duties here, with both oddball rappers storming into the mix vehemently in on an onslaught of lyricism. This track is one unique banger.

Lil Spacely returns on ‘Dangerous’ like he’s ready to takeover. The production is minimalist, directing all the attention to the rapper’s reflective storytelling. He switches and flows seamlessly throughout, showcasing an undeniable evolution in his artistry. It feels like Spacely is ushering in the next chapter of his career with this one, and we can’t wait to see where he takes us next.